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★ 6.920161h 32m

Amanda Knox

DokumenterKejahatan

American exchange student Amanda Knox is charged with the 2007 death of another student in Italy.

Title overview

Core release details, quality markers, and stream status stay together here instead of floating below the fold.

DokumenterKejahatan

Tahun

2016

Durasi

1h 32m

IMDb

6.9

Playback

Start watching now

Release2016

Runtime1h 32m

IMDb★ 6.9

Tonton Sekarang

Pemeran

Rod Blackhurst

Director

Brian McGinn

Director

Amanda Knox

Self - Murder Suspect

MK

Meredith Kercher

Self - Murder Victim

RS

Raffaele Sollecito

Self - Murder Suspect

GM

Giuliano Mignini

Self - Lead Prosecutor

NP

Nick Pisa

Self - Freelance Journalist, The Daily Mail

SK

Stephanie Kercher

Self - Meredith's Sister

Rudy Guede

Self - Convicted Murderer

VB

Valter Biscotti

Self - Rudy Guede's Attorney

SC

Stefano Conti

Self - Independent Forensic Expert

CV

Carla Vecchiotti

Self - Independent Forensic Expert

CK

Curt Knox

Self - Amanda's Father

AK

Arline Kercher

Self - Meredith's Mother

Anderson Cooper

Self

DG

Doug Grant

Self - Lawyer

Donald Trump

Self

Lester Holt

Self

Diane Sawyer

Self

Shepard Smith

Self

Matthew Hamachek

Writer

Brian McGinn

Writer

Trailer

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Komentar

10 Komentar

MONALI THAKURMar 22, 2025

Plam's De Chez ByklyMar 22, 2025

Nadia Mukami Mar 22, 2025

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E Dove AbyssinyawiMar 22, 2025

Emily StefanusMar 22, 2025

Lerato MakepeMay 29, 2023

source: Amanda Knox

Worldwide Handsome💜Nov 22, 2022

Named the "trial of the decade," the story of Amanda Knox first captivated the world in 2007 following the gruesome murder of British student, Meredith Kercher. Since then, the case has been picked apart and reviewed by innumerable forensic analysts and murder mystery enthusiasts alike. The film has garnered high praise and popularity since its release on September 30th of this year, making it clear that many people still have a vested interest in this story. Much like the JonBenét Ramsey case, the case of Amanda Knox was made into a grand spectacle by the media. It has even been suggested that the media may have swayed the ruling of the Italian court. This is supported by the film. In it we see the media put pressure on the government to apprehend the murderer quickly, but this makes investigators sloppy and they make careless mistakes. Evidence is not properly preserved and this in the end radically changes the lives of the two main suspects: Raffaele Sollecito and Amanda Knox. Murder mysteries and "whodunit's" are astonishingly popular among today's film consumers. Everybody wants to play detective, and in the Amanda Knox case, everybody did. Every single person from sea to shining sea had an opinion. The people of Perugia, Italy cried out for justice for Meredith Kercher and then the world followed suit. Again, this is arguably one of the reasons that the case played out as it did. Two convictions, two acquittals, and still no definitive answer as to who killed Meredith. There's always an angle; people, architecture, and yes, cameras. The directors of this film interestingly chose to make use of subtle camera angles and techniques for a variety of purposes throughout the film. The use of intermittent stills of Italian countryside, flashes of newspaper headlines or clips of a busy Perugian street made for nice visual imagery as well as good transitions. Most notably, however, were the peculiar camera angles in the early parts of the film. For example, during interviews with infamous journalist, Nick Pisa, who reported on the case from start to finish, the camera awkwardly hesitates on him as he smiles crookedly following his speech on the controversial way that the media got their hands on Amanda's diary she kept while in prison. This paints Nick in a negative light and even proliferates the stereotype of journalists as slimy, shady creatures, and ultimately garners more sympathy for Amanda, as she was the one being attacked in these publications. This same technique was also used with similar intent when interviewing Detective Mignini, another figure in the story who is generally disliked. Both Pisa and Mignini were misogynistic egomaniacs. They both profited from Amanda's demise. Throughout the entirety of the case they could both be seen basking in the glory of their attacks on Amanda. While Mignini used fear tactics and physical abuse in questioning, just outside the prison walls Pisa typed away feverishly at his computer printing phrases like, "femme fatale," "Foxy Knoxy," and other sexist remarks in what has been called, a "character assassination." Lastly, in my opinion, the film was very effective. It certainly had a target audience: those who have always been interested in the case, but I believe it also drew in others who enjoy documentaries, Netflix subscribers in general (since it was well advertised) and of course your run of the mill murder mystery fans as we discussed in the beginning. For many, this film helped them to see the case differently. With all cards and evidence out on the table, viewers were clearly able to see the facts. No matter whether you find Amanda's shrieks of delight in the end, following the announcement of her exoneration, encouraging or creepy, the film achieved its sole purpose: telling the twisted tale of a chilling murder.