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★ 4.520242h 30m

Naa Saami Ranga

ActionAdventureDrame

La vie de deux frères issus d'un milieu modeste dans un village est bouleversée par des personnes mal intentionnées issues d'une famille aisée. Le protagoniste pourra-t-il surmonter les scénarios compliqués?

Title overview

Core release details, quality markers, and stream status stay together here instead of floating below the fold.

ActionAdventureDrame

Année

2024

Durée

2h 30m

IMDb

4.5

Playback

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Release2024

Runtime2h 30m

IMDb★ 4.5

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Casting

VB

Vijay Binni

Director

Nagarjuna Akkineni

Kishtayya

AN

Allari Naresh

Anji

Raj Tarun

Bhaskar

Ashika Ranganath

Varalaxmi

Mirnaa

Manga

Rukshar Dhillon

Kumari

Nassar

Peddayya

Rao Ramesh

Varadaraju

HV

Harsha Vardhan

Police Officer

Ravi Varma

Lakshmi Pathi

Madhusudhan Rao

Veerabhadrudu

Shabeer Kallarakkal

Dasu

BP

Bhannu Prakshan

young Kishtayya

PK

Prasanna Kumar Bezawada

Writer

VB

Vijay Binni

Writer

SK

Sai Krishna Biyyapu

Writer

Bande-annonce

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Commentaires

10 commentaires

onizyDec 9, 2025

👋👋👋

Arman HossainDec 8, 2025

nice

Ali FirasOct 8, 2024

Only The name of hero Nagarjuna is totally focused and forced to watch movie other than that there is no such good story. As a true fan i want to see nagarjuna as a strong character of the movie but in movie it showed only servant of malik all the time servant and lastly he refused to take action against his malik. He blindly trusted his malik saheb. I want to see hero as a powerful character and as action packed. If he punches to any villan that person should have and would have pushed for atleast 100 m distance. He is so slow and i don't want these type of characters. I love to see nagarjuna action packed.

Mohamed GnégnéOct 8, 2024

Naa Saami Ranga is a typical Telugu family drama that attempts to blend emotions, action, and comedy. While it has its moments of charm, the film ultimately falls short of delivering a truly engaging cinematic experience. Nagarjuna's screen presence commands the screen with his charisma and effortless acting. His portrayal of the elder brother is commendable. Allari Naresh's comedy brings his usual brand of humor, providing some comic relief in an otherwise predictable narrative. The film boasts rich production values, with picturesque rural settings and vibrant cinematography. The plot follows a familiar template, lacking originality and depth. The screenplay is filled with clichés and predictable twists. The film suffers from inconsistent pacing, with some sequences dragging while others feel rushed. The age gap between Nagarjuna and his love interest, Ashika Ranganathan, is glaring and uncomfortable. The music is forgettable and fails to leave a lasting impression. The visuals are pleasing to the eye, capturing the rural beauty effectively. The editing could have been tighter, especially in the second half. Nagarjuna delivers a solid performance, carrying the film on his shoulders. Allari Naresh provides the much-needed comic relief with his impeccable timing. Ashika Ranganathan looks beautiful but lacks the depth required for her character. Naa Saami Ranga is a decent time-pass entertainer that caters primarily to the mass audience. While Nagarjuna's presence and a few entertaining moments keep the film afloat, the predictable storyline and uneven pacing hinder its overall impact. It's a film you can watch with your family during a holiday but don't expect a cinematic masterpiece.

eartghull❤Aug 6, 2024

Ajv QgxJun 10, 2024

বাংলা ভাষা

BadEvilJun 1, 2024

💖

DMON 👑May 28, 2024

Michael LeseheMay 28, 2024

PRISCAMay 27, 2024

The minimal theatrical run was of Aallari Naresh and Ashika's above average performance...Nagarjuna looks and acting are not up to the mark better watch the original version(PORINJU MARIAM JOSE)... The most inexperienced director with plenty of directorial errors... Especially climax is a blunder and definitely need a huge round of applause to director's talent to convince the producer for such a pathetic plot ... The movie is ain't to be one time watch but can't even watch once... Making the audience bleat from the very first frame and the final act of hero's survival is one of the old formulae way back 20 yrs ago... Overall a waste of time & needs a fast forward mode if necessary for a commercial potboiler...