movieboxappsxyz

★ 5.520231h 27m

Acidman

DrameScience-Fiction

Maggie tracks down her estranged and reclusive father Lloyd; together they attempt to make first contact.

Title overview

Core release details, quality markers, and stream status stay together here instead of floating below the fold.

DrameScience-Fiction

Année

2023

Durée

1h 27m

IMDb

5.5

Playback

Start watching now

Release2023

Runtime1h 27m

IMDb★ 5.5

Regarder maintenant

Casting

Alex Lehmann

Director

Dianna Agron

Maggie

Thomas Haden Church

Loyd

Sameerah Luqmaan-Harris

Charlie

MO

Miranda O'Brien

Young Maggie

Nicky Clary

Braces

Barret O'Brien

Hunter

WZ

Willow Zoe Egdes

Slam Dunk Tuesday

M

Migo

Migo

Chris Dowling

Writer

Alex Lehmann

Writer

Bande-annonce

Suggestions mises en avant

Envie de plus de divertissement ? Découvrez notre plateforme de jeux recommandée et notre destination de mini-dramas.

Jeux instantanés

Gamixo

Jouez à des jeux de navigateur casual avec puzzles, cartes, sport et défis rapides en quelques secondes.

Mini-dramas

VSKIT Drama

Regardez des mini-séries tendance, des romances et de nouveaux short dramas avec des mises à jour rapides.

Commentaires

10 commentaires

Earl HamMay 29, 2023

source: Acidman

🤘LUCI ☄️FER👌👌🔥⚡️May 15, 2023

source: Acidman

PRISCAMay 12, 2023

Prior to fine rom-com "Meet Cute" Alex Lehmann directed the intimate, weighty yet sluggish dramas "Blue Jay", "Paddleton" & "Acidman". In the latter 20-something Dianna Agron (Alicia Vikander-esque) visits a remote, craggy, forested Oregon coast to try connecting with her estranged, reclusive & possibly mentally ill dad Thomas Haden Church (likeable as ever) who lives alone with his dog 'communicating' with UFOs. Plot-wise Lehmann & Chris Dowling's script is disappointingly thin, but as a dual character study it's rich enough (helped by the great two central performances (especially Agron)) - whether that's enough to entertain most tho is debatable.

Ahmed AlbasheerMay 12, 2023

Firstly, I'd just like to point out how beautiful this film looks, especially with its opening establishing shots. The camerawork and mise-en scene are on point throughout and really give an accurate sense of place and time. However, whilst entertaining (if not a little slow) this movie does have some flaws baked into its script. For me, the Father is a well acted character with a lot to be uncovered, but his arc just doesn't progress as the film goes on, and too much is left unsaid about what is actually going on with him. Its arguable that the director leaves this up to the viewer to decide, but considering the films runtime and lack of any other subplots, its hard to excuse this lack of character development and closure by the time the credits roll. I'd recommend this movie to anyone who likes a slower paced character driven drama, but isn't expecting too much by the films conclusion. Acidman is a perfect lazy Sunday watch when things to do are light on the ground.

Mvaiwa ChigaruMay 12, 2023

I like Thomas Haden Church so I went in to watch this thinking it was a bit of a departure from his usual type of film. However there is no sci fi element in it at all, s don't let that confuse you. I also used to like Dianna Agron but as she aged she did not improve her skills, and in this film I think it's very telling that Haden Church has all the chops here. Agron did okay I suppose, but not great and I was quite disappointed at the lack of chemistry between them. I put that down to Agron, I don't think she has much depth. The blurb says they work through their past but their is actually very little dialogue about this. It's about 30 minutes short of a good film. It wasn't awful, but it certainly didn't deliver on expectation.

Âk Ďê Ķáfťán BôýMay 12, 2023

Acidman is a wonderful indie Drama/Sci-fi film that has excellent performances from the two lead actors. From the first scene with them together I could see their acting talent in the way they were expressing their character's facial expression's and their body language. Hayden-Church's character has left end-stage American Capitalism behind where he was an engineer and moved into the damp Oregon wilderness to be alone living in a trailer with his dog Migo while making experimental electronic music and going on night missions to watch UFO's appear in the sky above a nearby resevoir. His daughter has come to check on his well being from back east because she is worried about his well being, and is also dealing with some issues of her own she is reluctant to share with her father. Their interactions look and feel so genuine, the writing of the script is really tight It didn't drag at all with unnecessary plot twists, and the UFO interactions shown in the movie make me believe whoever was involved in hashing out that part of the story had real life experience with the phenomenon. This is a great movie for people 16 and up that enjoy indie flicks.

binodMay 12, 2023

Ronke RajiApr 30, 2023

Firstly, I'd just like to point out how beautiful this film looks, especially with its opening establishing shots. The camerawork and mise-en scene are on point throughout and really give an accurate sense of place and time. However, whilst entertaining (if not a little slow) this movie does have some flaws baked into its script. For me, the Father is a well acted character with a lot to be uncovered, but his arc just doesn't progress as the film goes on, and too much is left unsaid about what is actually going on with him. Its arguable that the director leaves this up to the viewer to decide, but considering the films runtime and lack of any other subplots, its hard to excuse this lack of character development and closure by the time the credits roll. I'd recommend this movie to anyone who likes a slower paced character driven drama, but isn't expecting too much by the films conclusion. Acidman is a perfect lazy Sunday watch when things to do are light on the ground.

Initials & zodiacs❤️Apr 26, 2023

Prior to fine rom-com "Meet Cute" Alex Lehmann directed the intimate, weighty yet sluggish dramas "Blue Jay", "Paddleton" & "Acidman". In the latter 20-something Dianna Agron (Alicia Vikander-esque) visits a remote, craggy, forested Oregon coast to try connecting with her estranged, reclusive & possibly mentally ill dad Thomas Haden Church (likeable as ever) who lives alone with his dog 'communicating' with UFOs. Plot-wise Lehmann & Chris Dowling's script is disappointingly thin, but as a dual character study it's rich enough (helped by the great two central performances (especially Agron)) - whether that's enough to entertain most tho is debatable.

Krisjiana & Siti BadriahApr 21, 2023

I like Thomas Haden Church so I went in to watch this thinking it was a bit of a departure from his usual type of film. However there is no sci fi element in it at all, s don't let that confuse you. I also used to like Dianna Agron but as she aged she did not improve her skills, and in this film I think it's very telling that Haden Church has all the chops here. Agron did okay I suppose, but not great and I was quite disappointed at the lack of chemistry between them. I put that down to Agron, I don't think she has much depth. The blurb says they work through their past but their is actually very little dialogue about this. It's about 30 minutes short of a good film. It wasn't awful, but it certainly didn't deliver on expectation.