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★ 6.32021

We Children from Bahnhof Zoo

Drama

A dramatization of Christiane F.'s memoirs and her hard beginnings in Berlin.

Title overview

Core release details, quality markers, and stream status stay together here instead of floating below the fold.

Drama

Taon

2021

IMDb

6.3

Playback

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Release2021

IMDb★ 6.3

Panoorin Ngayon

Cast

Philipp Kadelbach

Director

Jana McKinnon

Christiane

Lena Urzendowsky

Stella

Lea Drinda

Babsi

Michelangelo Fortuzzi

Benno

Jeremias Meyer

Axel

Bruno Alexander

Michi

Angelina Häntsch

Karin

Sebastian Urzendowsky

Robert

BH

Bernd Hölscher

Günther Breitweg

Valerie Koch

Nati

Nik Xhelilaj

Dijan

Gerhard Liebmann

Master Locksmith

Tonio Arango

Tristan

SB

Stella Brückner

Nicole

FS

Franz Schmidt

Nils

Dimitrij Schaad

Milos

HS

Heide Simon

Luise

Hildegard Schmahl

Anni

Oliver Berben

Writer

LB

Linda Brieda

Writer

CF

Christiane Felscherinow

Writer

KH

Kai Hermann

Writer

Annette Hess

Writer

Philipp Kadelbach

Writer

CK

Christiane Kalss

Writer

HR

Horst Rieck

Writer

JR

Johannes Rothe

Writer

LR

Lisa Rüffer

Writer

FV

Florian Vey

Writer

SV

Sophie von Uslar

Writer

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Mga Komento

10 Mga Komento

El dahbiDec 24, 2024

As someone who doesn't know the original (neither book nor movie) this series feels similar to other dark teenage dramas like Euphoria or 13 Reasons Why. Many reviewers criticize the modern pop songs and similar stylistic elements. However, since this topic is timeless I don't feel like it needs to have a 70s mood. Actually, I expected even more of a contemporary adaption. Also often mentioned, and it is surely true, adult cast always feels a bit weird when they are supposed to play young teenagers. However, I don't see a way around that given the topic and the scenes. Personally, I can recommend the show.

Amine OuabdelmoumenDec 24, 2024

It's so wrong in so many places, I don't know where to start. The original movie was both, repulsing and fascinating at the same time. It felt true and authentic to Christiane F's life story, described in her book. This series is the total opposite: a sterile, high gloss wannabe Hollywood version. It shows the horrors of drugs and prostitution in a polished and stylish way. The kids almost never really behave and look drugged and cynically even seem to enjoy prostitution. Why?! Also it just doesn't feel like the 70's. Contemporary, mostly happy pop music (except of some original Bowie songs) meets modern fantasy boho retro 70ish to 90ish clothing and props style... Not to mention the 21st century interpretation of the kid's disco "Sound". Why?! My guess: the urge to come across original and creative took overhand. What works with fiction like f.i. "Peaky Blinders", where alternative contemporary music fits perfectly in the raw and brutal 1900s mob scenery, doesn't necessarily work with every story. Especially with true ones it just feels wrong. This has neither much to do with the 70's, nor the book, except the title. If this would be an original fictional story, it might work. But nevertheless for me it lacks interesting characters and a gripping storyline. This series is mostly about style. The camera is excellent and most of the actors are good, some are implausible (f.i. The David Bowie double). Therefore 3 stars. But please, see for yourself!

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