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★ 5.720131h 30m

Only God Forgives

AksyonKrimenDrama

Julian, a drug-smuggler thriving in Bangkok's criminal underworld, sees his life get even more complicated when his mother compels him to find and kill whoever is responsible for his brother's recent death.

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AksyonKrimenDrama

Taon

2013

Tagal

1h 30m

IMDb

5.7

Playback

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Release2013

Runtime1h 30m

IMDb★ 5.7

Panoorin Ngayon

Cast

Nicolas Winding Refn

Director

Ryan Gosling

Julian

Kristin Scott Thomas

Crystal

Vithaya Pansringarm

Chang

Gordon Brown

Gordon

Yayaying Rhatha Phongam

Mai

Tom Burke

Billy

Sahajak Boonthanakit

Kim

PP

Pitchawat Petchayahon

Phaiban

Charlie Ruedpokanon

Daeng

KW

Kowit Wattanakul

Choi Yan Lee

WP

Wannisa Peungpa

Kanita

NC

Narucha Chaimareung

Papa San

DT

Danai Thiengdham

Waiter

DT

Danai Thiengdham

Li Po

WW

Wittchuta Watjanarat

Ma Fong

NB

Nophand Boonyai

Charlie Ling

TM

Teerawat Mulvilai

Ko Sam

AS

Aratchaporn Sataed

Po Yan Lee

DV

Dujdao Vadhanapakorn

Concierge

Nicolas Winding Refn

Writer

Trailer

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Mga Komento

10 Mga Komento

OUi6AMNov 24, 2024

🔥🔥🔥🔥🔥

~Hi~Aug 21, 2024

I went into the movie theater looking forward to this film. Expecting something along the likes of Drive, which was a great cinematic experience in my opinion, I got to see something which had similarities in execution and style but turned out to be a very different movie from the latter. Without saying too much I will say that this will be one of the weirdest movie experiences you will ever get. It has the same type of artwork that made Drive such a great accomplishment but it takes it a little further. This is done to a point where you can either choose to relate to its ruthlessness and brutality ( it is an extremely violent film) or discard it for it. The setting and scenes are played out beautifully but the pacing feels off as it builds up really slow and never gains pace throughout the showing. At times you feel like you are witnessing scenes from a wonderfully shot masterpiece, yet the next moment it can be as if these scenes add up to nothing substantial. To me it feels as if the director has been overly ambitious and at particular moments he managed to make it work but overall it doesn't hit home. It tries so hard to be memorable and refreshing that at times it turns into a parody of itself. This being said I still enjoyed it for what it was and though the brutality and violence won't be for anyone to be appreciated ( it gets very raunchy)it's an experience I'm glad I did not miss out on. Some other people in the theater where less forgiving ( no pun intended) and left it running for the exit. It's not as accessible as you would want it to be, and it's not as great as it feels it could have been but if you want to watch a film you won't be able to wrap your head around entirely for the next few days I'd say: give it a shot. You might find it worth your while. I certainly found it to be so. A decent piece of artwork or a let down? Depending on what you look for in a film you can only consider it to be one or the other.

AsifRaza12Aug 21, 2024

If you like movies that have a very weak plot, many pointless scenes, the addition of dream sequences that add nothing to the plot and only confuse, characters that are not explained and which it is therefore very hard to care about, and many shots of the characters looking into the distance with little emotion on their face and seemingly little on their mind then this is the film for you. I don't mind films that are unique and don't fit the usual Hollywood format but there are things that are essential to a good film such as interesting characters, a plot of some sort and some clue as to what is going on being given but those things are missing from this film. I was so confused and mainly just bored throughout this film. I expected better things from Gosling. And I have enjoyed Refn's other films so I am not just a mainstream film lover only but this effort was just bad film making.

Nadia Mukami Aug 21, 2024

I realize that not all movies can have fast-paced action sequences, or a perfectly linear/understandable plot, or what you would consider to be "normal" characters and/or character interaction. But this particular movie manages single-handedly to avoid all of the above. And add in some heavily awkward/nonsensical scenes where an Asian police officer does Karaoke, while the entire bar sits in complete and utter silence (literally no movement in the room as this person sings, and these scenes draw onwards for at least 5 to 10 minutes. In the middle of the movie). I...can't describe how bad this movie is. It's not "art", it's not even particularly striking or disturbing like a David Lynch movie. It's just nonsense for the sake of nonsense, featuring Ryan Gosling uttering all of five syllables and NOT CHANGING HIS EXPRESSION for the entire film. Spoiler alert: the final scene, insane and nonsensical as it may be, is cut off by (you guessed it) yet another scene of a cop singing at a karaoke bar. At that point the entire movie theater I was at got on its feet and left. Laughing.

🤴🏻 Aku = Rana = 🤴🏻Aug 21, 2024

Critics have gone way too hard on this movie. Lots of violent, strange et slow films have been presented at the Cannes film festival since its creation but yet every time a film pushes the boundaries of violence while keeping its own style, most critics go mad and sometimes shout at the screening, even leaving the theater before the end and calling it "outrageous". This film, along with "Anti-Christ" is a perfect example of the type of scandals that go on at Cannes for quite stupid reasons. First of all, forget about Drive. If you know Nicolas Winding Refn's style and like it then you'll enjoy this movie but if you've only seen Drive and believe this is going to be in the same style (because of the same actor, similar cinematography, same musical style...) believe me you'll be disappointed. The trailer might give this impression, but this film is very different. The director had already made other movies just like this, but they did not encounter a really large audience. His works were mostly known by cinephiles, artsy people and intellectuals interested in film analysis (in a general way of course). Drive was his first really big success and also his first film taking place in America, starring a worldwide known star (Gosling) and going deep into its message while keeping a more specific style than his other films. Here Refn feels a lot more philosophical, and comes back to his original style in directing films such as Valhalla Rising : great visuals, slow-pasted action, scenes that seem a bit detached from one-another, deep character development, little dialogue, extreme violence mixed with soft and/or trance-electro music... all of which are here to deal with philosophical, deep, hard subjects like revenge, good and bad, mother/son relationship etc... When it comes to the acting Gosling does not disappoints however this time Refn wanted to do the opposite that he did in Drive : showing the weakness of his character. Also, even though he does pull-off a very convincing performance, Kristin Scott Thomas is surprisingly captivating and gives her character a much more "real" dimension than it could have been (like it is most of the time, when a woman is supposed to play a drug-lord badass). But saving the best for the end, Vithaya Pansringarm, an actor totally unknown to me until know, plays wonderfully his role as the mystical bad guy, and really did surprise me by the quality of his acting. He completely understood the movie's atmosphere and makes his character feel mysterious and fascinating. To sum-up this is a very atmospheric, deep movie with great actors/actresses and dealing with difficult and serious themes, with some philosophical analysis possible, but definitely not in the same style as Drive, even though it has some similarities with it.

fatima 🌺Aug 21, 2024

Those giving this movie 1/10 are saying far more about their own absolute ignorance of film and extreme immaturity than they are about this movie. I don't expect everyone to like this film - it is certainly not for fans of Hollywood blockbusters and those who start their reviews with statements similar to 'I went to see this movie because I like Ryan Gosling/Kristin Scott Thomas' render all further comments null and void - their opinions are simply worthless and cannot be taken seriously. The cinematography is excellent and the acting superb. Those complaining of Gosling's lack of animation are completely missing the point that his character is empty and completely subjugated beneath the force of his mother. This movie is full of symbolism, psychology and philosophy and every shot and sequence masterfully executes the portrayal and exploration of these themes. Distinct allusions to David Lynch are apparent but these do not come off as derivative but rather as homage. If you like Hollywood blockbusters or Rom-Coms stay away from this movie and don't bother deriding this movie due to your own lack of mature and critical thinking. On the other hand, if you appreciate excellent cinematography and exploring deeper themes of the unconscious, however dark they may be, do not be put off by the extremism of those giving this movie 1/10 and go and decide for yourself.

BikkingAug 21, 2024

It's a shame that people seem to be missing the point behind this film. However, on one's first sitting, it's easily done - Refn's style and pace may fool you into thinking this is a dull, slow film. The long, seemingly unending shots of actors staring into the distance may make you question Mat Newman's (the editor) talent. But what you really need to do is to look deeper into the film, because behind the extreme violence, the beautiful cinematography & production design and questionable reality, there is an interesting message. That message really depends on how you interpret the film, and differentiates from person to person. For instance, Vithaya Pansringarm's character can be perceived in a variety of ways - a silent angel out to balance the injustices of his city, a delusional man who thinks of himself as God, or a vengeful cop who is simply out to do his job. Ryan Gosling's Julian can be seen as a confused soul who is out to avenge someone he clearly despised, someone who is bullied into action by his persuasive mother. Kristen Scott Thomas's excellent portrayal of Crystal, Julian's thoroughly unpleasant mother, acts as a wedge between the two of them. And the motives of each of these characters are questionable throughout. It's certain that Refn's ninth feature film is not a simple crime drama as you might have expected. Its twists and turns will almost certainly surprise you, and it will linger on your mind long after the credits roll. It makes you question what was real and what was not in a way I've never seen in cinema before. And it really is a shame that a lot of people seem to completely miss the brilliance and genius behind it.

ChloéAug 21, 2024

Don't expect to see Drive's sequel, it would make no sense ! If you don't know Refn's movie you've got to know 3 important things : - He makes contemplative movies. With a lot of silence and a minimalist screenplay. - He said "Art is an act of violence" so don't expect to see a peaceful movie. - Drive is the least representative movie of his style. You'll need to create yourself a part of the story because it's a movie between reality and nightmare. It's a philosophical and metaphysical movie. A true experimental & artistic movie. This movie is fascinating ! Cinemathography is beautifully worked, use of the red light is perfect, framing also. Production design and the places make us perfectly return in the dark side of the film. We remain completely speechless front of the pictures that are beautiful, surprising and deeply disturbing. Violence becomes poetry. The story speaks about the male impotence, revenge is put on side, there is no real hero. Just the story of a lost man who seeks his way, other side a cop who thinks he is God. It's to the spectator to find the morals of the story. The music (electro-pop) and Vithaya's interpretations are in total agreement with the progression of the story and the pictures. The actors succeed in transmitting the feelings and impressions of the characters with simple glances. We leave the room completely disturbed, while being posed full with questions, trying to assimilate all the asked questions by the artist, but completely fascinated and excited ! It is simple either one loves, or one hates this film. I loved it ! Refn signs one of his best movies, he assumes completely his style and (in my opinion) proposes to us a real masterpiece.

Nafz BasaAug 21, 2024

I do understand why people hate it, that also means that I understand why people love it because I am one of them. This movie was shot by cinematographer Larry Smith who also worked with Kubrick on 'Eyes wide shut', he made an extraordinary job shooting this picture because it was mesmerizing and beautiful to watch from the beginning to the end. It was also an amazing movie experience, it's one of those movies that you just give yourself over to. If you are a fan of movies and a fan of Nicolas Winding Refn then I think you will absolutely love this. I read that a lot of people are complaining about this movie being thin on story and whatnot, well, let me put it like this; if Refn wanted a "story" he would give it a "story". He doesn't have anything to prove on that point because he already showed us that he can do it if he wants to, and I think once you let go of that then it will be a lot more easier to enjoy and experience this movie because it is a movie that is based on ideas which is clearly what Nicolas Winding Refn is focusing on rather than having a moving plot or story. The atmosphere in this movie was really something, it was almost as if you were a part of it thanks to this movie being very slow paced, and that's why I've always been a big fan of slow-paced movies. "Chang", who is "God", was so coldblooded that even I as a viewer felt that it will be impossible for "Julian" to actually try to kill him - and then that last fighting sequence came. All the actors did a very good job and gave convincing performances, meaning that they didn't have to do more than what was already in the film. And I loved the fact that our protagonist got beaten down to a point where we couldn't see his normal face, and I liked the relationship that Julian (Ryan Gosling) and Crystal had (Kristen Thomas) because I could feel that strange mother-to-son love type of relationship even though it was very tense, that probably has to do with good chemistry between the two actors. This movie also had very good soundtracks which added another great layer to it. I guess if David Lynch were to make an extremely violent movie, I think it would look something like this, there were indeed some Lynch-moments in there and some Kubrick shots which I absolutely loved. As much as this movie made me cringe I could not stop enjoying it, it was all in a positive way. I think Refn at one point called this a Thai-western about a man who is fighting against god, and I couldn't stop thinking about that whilst I was watching it because that's exactly what it is. People can trash this movie all they want, we even had two people walking out of the theater. But the fact that some critics gave it a 100/100 and others gave it below 50/100 should tell you a lot. But at the end of the day, I think if you really want to know what you think of this film, you will have to go and see it for yourself.

abdo_saoudiJul 18, 2024