★ 6.520201h 43m

مالك

Name: مالك
Genre: رعب,أُحجِيَّة,خيال علمي
Released: 2020-10-02
Rating: 6.5

رعبأُحجِيَّةخيال علمي

تاسيا فوس وكيل شركة يستخدم تكنولوجيا زراعة الدماغ للسكن في أجساد الآخرين ، مما يدفعهم إلى ارتكاب الاغتيالات لصالح الشركة.

Title overview

Core release details, quality markers, and stream status stay together here instead of floating below the fold.

رعبأُحجِيَّةخيال علمي

السنة

2020

المدة

1h 43m

IMDb

6.5

Playback

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Release2020

Runtime1h 43m

IMDb★ 6.5

شاهد الآن

طاقم العمل

Brandon Cronenberg

Director

Brandon Cronenberg

Writer

الإعلان الترويجي

اختيارات مميزة

هل تريد المزيد من الترفيه؟ استكشف منصة الألعاب المقترحة ووجهة الدراما القصيرة التي نوصي بها.

ألعاب فورية

Gamixo

العب ألعاب المتصفح الخفيفة مثل الألغاز والورق والرياضة والتحديات السريعة خلال ثوانٍ.

زر الآن

دراما قصيرة

VSKIT Drama

شاهد المسلسلات القصيرة الرائجة وقصص الرومانسية والدراما الجديدة مع تحديثات يومية سريعة.

زر الآن

Finally movie where from first seconds you can feel that creators of movie cared about final result. Actors, sets,fx and even script was well made. Ussualy nowadays everyone just make movies to suit everyone (to make more money) , and filmmakers are scared to put blood or * scenes etc just cheap sell out films... But this kind of movies is not for every one but for those who enyoy good cinema. Ps There is movies with millions of budget but who looks and feels like cheap fast food. So if we compare this film to food than this is some delicatessen, what I was missing lately. Thanks for good film.

Carole SamahaFeb 15, 2023

I think this is one of those films you will love or hate. It is quite slow moving and you do have to pay attention to get the most from it. Personally, I enjoyed it, and it makes a change from the usual sci-fi 'factory' movies churned out by Hollywood. The acting, writing, and production are superb.

THE CAF FAMILYFeb 15, 2023

... not only in the main characters but channelling throughout this unoriginal take on nothing you haven't seen before but perhaps with a bit more gore, torment and brutality, although you're never really sure why and you'll find a point close to the middle when you won't really care - valueless with some reasonable effects.

حسام الرسامFeb 15, 2023

I have to give it a one, because the main character doesn't allow you to feel anything for her. In the end you don't care what happens to her. This movie has no heart or passion, were you don't feel anything for anyone of the main characters. If you don't care about anyone, whats the point. No meaning or anything. Totally pointless. I like Brandon Cronenberg, he did a pretty good job with Antiviral, but I feel Possessor was simple hollow.

MrseedofficialFeb 15, 2023

Possessor reminds me of an ultra-violent combination of Inception and Looper. It's about an assassin who uses body-hoping technology to kill her targets before terminating the body she's co-opted. The movie does not do a lot of explaining, we open up with an assassination in a swanky hotel where one of the staff is manipulated to kill a guest before security guards gun her down. Then we see the protagonist (I use the word loosely) Taysa Vos, played by Andrea Riseborough, was controlling the body of the killer from a safe distance. Vos works for a secretive company that offers these kind of closed-loop assassinations. Side bar: Taysa Vos sounds like it could be a name from the Star Wars universe, or is it just me? The process of changing bodies seems to take away from her sense of self. She takes a test after each job where she recognizes objects from her past and identifies the one that doesn't belong. When she visits her family, she has to practice sounding like herself -- as if she's rehearsing lines. What follows is a kaleidoscope of violence and surreal, dreamy imagery filmed in a cold, deliberate style. Lots of indie movies today go for this kind of neon/midnight movie mixed with Kubrick aesthetic, but Possessor pulls it off better than most. Vos is supposed to possess the body of Colin Tate (Christopher Abbott) to murder his girlfriend and her CEO father (Sean Bean) before offing himself to tie up the loose end. It goes wrong, but not in the way I expected. I'd recommend this to people who enjoy mindbenders along the lines of Primer, Triangle, or Upstream Color and can put up with a bit of seize-in-your-seat gore.

Patricia LawelaFeb 15, 2023

I rarely write reviews on IMDB, but since there is so little info out there on this film, I decided to add my two cents. I feel like this film has great potential, much like an episode of Black Mirror. Unfortunately, there are far too many unanswered questions in this film. Spoilers....maybe: Why are these assassinations taking place? Who is behind them? What happens when the process goes smoothly, considering we are only shown what happens when the process goes haywire? I could go on.... This movie feels unfinished (maybe it is?). The horror is there, the sci-fi is there, the creativity is there, it just needs someone to step in and tie it all together.

Nana Yaw WireduFeb 15, 2023

This movie is unsettling. To its credit, that is partially due to its commitment to the relentlessly bleak and bloody life of Tasya, a woman whose job is to use a strange machine that lets her inhabit other people's bodies to carry out violent assassinations. The film truly conveys the dread of an alternate universe where such a thing exists. The audience is in a strange position at the edge of the seat waiting to see how this woman and her overlords' missions go, yet also wondering if we should be hoping for their own demise given the immorality of their scheme. It doesn't help that Tasya herself seems perturbed about her own actions. Unfortunately, the film is also unsettling for a number of negative reasons. Firstly, it is grotesque. It features ridiculously gory violence and pornographic imagery, including a scene where a child is shot and killed and highly explicit sex scenes. These kinds of elements can be appropriate when crafting a film, but the creators of this film are highly egotistical to think that they have the skill to use these elements as anything more than shock value. Secondly, the actual writing of the film is lazy. It is premised on a fascinating science-fiction concept of using technology to control other people and have them carry out violence for you, but that is the only substance to the film. None of the people in the film seem like living humans; they are just there to either kill or be killed. There is no way to connect with or care about anyone in the film, except when you feel sorry for them being brutalized so viciously or wish they would stop committing such heinous acts. Very few things are justified in the movie. Why, in a world that mostly seems to be just like our own, do they have this incredible ability for one person to take control of another's body? Who exactly is doing this? How would this be worth it, given the monetary, legal, and ethical liabilities? Why would anyone agree to do this? Why does no one notice? Why are the victims left alone so much, without anyone there to help them? This mystifying world is actually just an empty world, like a notepad with only two pages of notes and the rest is blank. Finally, the movie veers into government-granted film student cheese. While it is stylisticly interesting in some ways, it also features a constant soundtrack of grating royalty-free "creepy" music and features a lot of "eerie" filler footage. At the supposed climax, it devolves to the point of plopping loud, scary sounds onto otherwise laughable scenes with melting masks and spooky scenes flashing by. Possessor is highly dedicated to some sort of goal to unsettle us. Unfortunately, it just isn't clear what the purpose is, and therefor it is not justified in being so grotesque and unenjoyable. It joins a growing legacy of films which collect grants from multiple countries, go to print, and then get tossed in the rubbish cause no one cares.

مالك

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