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★ 5.420241h 36m

نسخة باردة

جريمةأُحجِيَّةإثارة

يتبع العمل قصة الطالبة الصحفية (ميا سكوت) والتي تسعى لفعل كل ما في وسعها لإثارة إعجاب مقدمة البرامج الشهيرة (ديان هيجر) والحصول على فرصة للعمل معها ببرنامجها الشهير، ولكن بظهور فتى مراهق بحياة (ميا)؛ تنقلب الأمور رأسًا على عقب.

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جريمةأُحجِيَّةإثارة

السنة

2024

المدة

1h 36m

IMDb

5.4

Playback

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Release2024

Runtime1h 36m

IMDb★ 5.4

شاهد الآن

طاقم العمل

Roxine Helberg

Director

Bel Powley

Mia Scott

Tracee Ellis Ross

Diane Heger

Jacob Tremblay

Igor Nowak

Nesta Cooper

Kim

Ekaterina Baker

Alix

James Tupper

Aleksy

David Stuart

Politician

Alison Ward

Researcher

Yoshié Bancroft

Sasha

Adam Beauchesne

Technician

Joshua Harding

Crew Member

Requell Jodeah

Kate Merriweather

Gavin Langelo

Felix

Helena Marie

Charlotte Nowak

Alex Sturman

Reporter

Lynn Whyte

Ella

Victor Young

News Reporter #2

Roxine Helberg

Writer

الإعلان الترويجي

قد يعجبك أيضًا

نسخة باردة

جريمة

Out of the Blue

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Cut, Color, Murder

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A Crooked Somebody

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Everything I Know About Love

كوميديا

Everything I Know About Love

كوميديا

Dark Side of Glory

فيلم وثائقي

روايته وروايتها

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The Haves and the Have Nots

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لا ينسى

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الديوس

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الرافعة المالية: الفداء

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سكاربيتا

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Dare Me

جريمة

تسع جثث في مشرحة مكسيكية

جريمة

Gone

جريمة

الخلافة

دراما

my vampire system

drama

آل ماديسون

دراما

دكستر: القيامة

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الأرنب الأسود

جريمة

الزوجان المثاليان

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The Sinner

جريمة

CSI: Cyber

جريمة

اختيارات مميزة

هل تريد المزيد من الترفيه؟ استكشف منصة الألعاب المقترحة ووجهة الدراما القصيرة التي نوصي بها.

ألعاب فورية

Gamixo

العب ألعاب المتصفح الخفيفة مثل الألغاز والورق والرياضة والتحديات السريعة خلال ثوانٍ.

دراما قصيرة

VSKIT Drama

شاهد المسلسلات القصيرة الرائجة وقصص الرومانسية والدراما الجديدة مع تحديثات يومية سريعة.

التعليقات

10 تعليق

Doreen NdovieJul 21, 2024

Coeurth'ia NSONSAJul 16, 2024

GloriaJul 16, 2024

LarrywheelsJul 16, 2024

eddemoktar73Apr 25, 2024

Miiss Koffii🥀🧘🏽‍♀️Mar 26, 2024

Directed and written by Roxine Helberg. A runtime of one hour and thirty-six minutes. To rent or buy on Prime Video with an R rating. "Mia Scott," played by Bel Powley, is an ambitious journalism student. "Mia" and her roommate/friend "Kim," played by Nesta Cooper, are both students of their esteemed professor, "Diane Heger," played by Tracee Ellis Ross. "Diane" is not only a professor but a popular cutthroat reporter with her segment on a popular news show. She is harsh and to the point. SB(Side Bar) I love seeing Tracee in an antagonist role. "Diane" provides an AP journalist class, which "Kim" and "Mia" both attend. The single focus is to provide a story with legs. If the story is good, it will be picked, and you have the potential to work with "Diane" on her show. By chance "Mia" encounters "Igor Nowak" played by Jacob Tremblay. He has an interesting past that "Mia" can relate to. She decides to tell a story about him with her ulterior motives. You watch as "Mia" dives down the rabbit hole and does integrity-less things for this story. What won't she do in an attempt to impress her highly critical teacher? "Cold Copy" was Roxine Helberg's directorial debut. Which wasn't bad since she wrote it as well. Seasoned filmmakers have a hard time doing that, let alone someone in their first major film. Tracee Ellis Ross played her character effortlessly, giving a spotless performance. She carried the film. Without her performance, this film would have probably been rated lower. I couldn't stand the Bel Powley character. Earlier on "Mia," subject Jacob Tremblay's character "Igor" told her this isn't for you. That was a fact. "Mia" was vindictive. You have to have the drive and willingness to go further than the next person. She wasn't competitive; she was just jealous. What drove her came from all the wrong emotions. If you have to backstab your allies and friends just to get a little bit further, what's the point? You have to have some morals. It's too early in the game to be burning bridges to the bottom of the water. It's hard enough fighting enemies; you don't want to make enemies out of people who know you and can hurt you worse than any real enemy. Speaking of having issues with morals and ethics, Let's add another word, "optics.". "Diane" was a hard ass and mean for most of the film. But they explained why. She was poor. "Diane" scratched and clawed to get to where she is now. She saw that spark in "Mia" and pushed her. "Mia," on the other hand, is spoiled. If she doesn't like something, she will sabotage it to get her way. No one can stand in her way because she's mentally weak. She's giving a lot of "Karen" energy. I liked the realism approach, but then it took a turn and clashed with two different points of view. Film-wise, it gave intriguing points, but at what cost? Some of the turns it took made me dislike the film. Overall, the film held my attention, and whether I agreed with "MiA" or how Roxine Helberg made this film, the final product was solid. Casting was pivotal in this film. Having a seasoned actor allowed this film to flourish and go further than it would have, in my opinion. This is why I give this film four mor stars🔥🔥🔥🔥. #CosmoandtheMovieWithin #CosmoMovieBlog #CosmoLanier #ColdCopy.

Isoka 🥷Mar 24, 2024

A totally naive and insecure student adores this TV host / professor. That sentence alone should disqualify her. Or be used for a different kind of movie. Journalism is stories, just like everything else in life. But most of all, surprise surprise, journalism is a business, it is stories used to sell ads, twisted stories, one-sided stories, tabloid stories, propaganda stories, fantasy stories. Who knew. Cui bono. In today's woke world, how is that btchy professor even a thing? And why would I care for an egotistical jealous criminal student with no morals? Cry me a river your 'story' got 'stolen', learn your lesson: read the fine print before you sign something. 'I'm so special' - glad that bubble got burst quickly. If this is supposed to be a character study it failed. Nothing new to be gained here. Not even truth, whatever that elusive, many-facetted thing may be . Only a shadow of yesteryear's news. That hammam monologue was so Hollywood it hurt. The ending is not redemptive, it's more cliché and more ego trip and predictable, totally unconvincing and not satisfying. Any second grade editing proofcheck would show that the recording was fake. But who cares, as everything is. That's the message, then. As I said, surprise surprise, yesteryear's news. The kid was great, and the roommate was good as well. A glimpse of reality. The rest was yawn.

Djamimi💓Mar 20, 2024

The movie is quite interesting for a directorial debut. The third act was quite rushed since there are a lot of things that was seemingly skipped between Mia and Igor. Despite not getting to show full potential, Jacob Tremblay made another great performance. His character Igor has a pure heart and you just want to fill the void he has living mostly alone. Mia is like Thanos in her own movie. When you see how much lines she cross, you will know how journalistic integrity start to not exist anymore in this movie. If ever there is a director's cut for this movie, I'm expecting more Jacob scenes as his final scene could have had a heavier impact. But overall, the movie was good enough, and of course Jacob's performance was great!

user9846088845112Mar 13, 2024

In dramatic thriller "Cold Copy" journalism student Bel Powley (strong rising star) scratches a place in the class of her idol Tracee Ellis Ross (slightly over the top) - a hard-hitting interviewer at the height of her game & fame. To stay, learn & thrive tho, Powley must take tough advice, especially on the story she's on about her teen 'friend' Jacob Tremblay (meh) whose famous author mum died some years earlier. It follows a predictable path, but with little tension and scant twistiness, ending somewhat satisfyingly yet still with many loose ends untied. Debut writer / director Roxine Helberg aimed for a "Wall Street"-lite... and just about made it... albeit VERY litely. Mediocre.

Âk Ďê Ķáfťán BôýMar 11, 2024

Journalism student Mia Scott is desperate to impress the hard nosed, but influential journalist Diane Heger, even if it means breaking the rules to land the perfect story. It has a made for TV feel to it, so don't expect slick production values or a film full of A-listers, but do expect a good story, and some very competent acting. The story is quite a good one, and it will hold your attention from the start, unlike many similar films it does actually end quite well, an unexpected climax, it becomes a story of revenge. A few poignant scenes throughout, Mia opening up about her past, very good. Heger truly is a monster, but an interesting villain, Tracee Ellis Ross is excellent, but Bel Powley steals thr show, she's great, and acted as producer. 8/10.