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★ 7.520182h 15m

رجل الكو كلوكس كلان الأسود

Biographyكوميدياجريمة

(رون ستالوورث) ضابط شرطة أفريقي أمريكي من (كولورادو)، ينجح في التسلل إلى إحدى تجمعات (كو كلوكس كلان) المحلية - وهي حركات تؤيد بعض المواقف الرجعية المتطرفة والعنيفة ضد السود - إلى أن يصبح رئيسًا لإحداها، محاولا القبض عليهم.

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Biographyكوميدياجريمة

السنة

2018

المدة

2h 15m

IMDb

7.5

Playback

Start watching now

Release2018

Runtime2h 15m

IMDb★ 7.5

شاهد الآن

طاقم العمل

Spike Lee

Director

Alec Baldwin

Dr. Kennebrew Beauregard

John David Washington

Ron Stallworth

Isiah Whitlock Jr.

Mr. Turrentine

Robert John Burke

Chief Bridges

Brian Tarantina

Officer Clay Mulaney

Arthur J. Nascarella

Officer Wheaton

Ken Garito

Sergeant Trapp

Frederick Weller

Master Patrolman Andy Landers

Adam Driver

Flip Zimmerman

Michael Buscemi

Jimmy Creek

Laura Harrier

Patrice Dumas

Damaris Lewis

Odetta

Ato Blankson-Wood

Hakeem

Corey Hawkins

Kwame Ture

Dared Wright

Officer Cincer

Faron Salisbury

Officer Sharpe

Ryan Eggold

Walter Breachway

Jasper Pääkkönen

Felix Kendrickson

Charlie Wachtel

Writer

David Rabinowitz

Writer

Kevin Willmott

Writer

Spike Lee

Writer

RS

Ron Stallworth

Writer

الإعلان الترويجي

اختيارات مميزة

هل تريد المزيد من الترفيه؟ استكشف منصة الألعاب المقترحة ووجهة الدراما القصيرة التي نوصي بها.

ألعاب فورية

Gamixo

العب ألعاب المتصفح الخفيفة مثل الألغاز والورق والرياضة والتحديات السريعة خلال ثوانٍ.

دراما قصيرة

VSKIT Drama

شاهد المسلسلات القصيرة الرائجة وقصص الرومانسية والدراما الجديدة مع تحديثات يومية سريعة.

التعليقات

10 تعليق

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source: BlacKkKlansman

Saba’s KitchennNov 22, 2022

BlacKkKlansman (2018) The problem with this movie is exactly why Spike Lee made it: it is political activism. It's well made and a decent bit of storytelling with good acting and a strong underlying story. But it overtly pushes its message, and makes no effort to hide that. But this isn't a Michael Moore documentary. This is a film based on a true story, with actors and some embellishments. And it pushes the obvious, clichés and all. It does this not only in the end and beginning, which are bookends that announce their message, but also in the story itself, by keeping it simple to the point of simplistic. Maybe that's unfair and extreme--on second viewing I realized the movie is first rate filmmaking, whatever its limitations. If you get the story, and even if you empathize completely with the message, the effect as a movie, as a feature film out to create drama and move and shape you, this effect is flimsy and false. Yes, false even, because you know a grittier, more complicated truth must be there. You do end up thinking of director Spike Lee's other films here, like the brilliant "Malcolm X" and its own historical reconstruction, or "Do the Right Thing" with its more fictional immersion and conviction. And this one, "BlacKkKlansman," is less lyrical even though it is quite well filmed, and less moving even though built on compelling facts. The conventional core of the movie is good (and sometimes fun and funny), with the infiltration of some KKK types (made generally caricatures to the point of being almost comic, which is a shame). However, the last scenes with all the high fives might drive you crazy, and the documentary footage will make you realize there are more penetrating things out there than the movie you just watched. It's good, I'm glad I saw it, but it's half of what it could have been. But in truth (seeing it a second time), it's very well made and compelling. But for Spike Lee (at his best) it ends up half of what he has pulled off in the past. Which isn't so bad at all. Watch it!