Writer/director/editor Sion Sono's latest is based on convicted serial killer Futoshi Matsunaga, here renamed Joe Murata in the film and played exquisitely by Kippei Shîna with Sono's direction. Murder, *, mutilation, self-harm, s&m, torture, gore, sex, control, extortion and more occur with irony, inevitability and imagination.
Sono's masterpiece Cold Fish (2010) and grim & beautiful Guilty of Romance (2011) are also based on true stories, but let's be clear, his take on these stories are most likely far from reality. He is able to twist the facts to create details, dialogue, themes, strong characters and storytelling. Antiporno (2016) and Noriko's Dinner Table (2005) are his best stories not based on circumstantial facts and are perhaps even better because of it, although Cold Fish will remain one of the best and shocking movies for decades. (See my 2010 review: https://www.imdb.com/review/rw2469898/)
The movie is slow to start with a prologue and long chapter 1. We get to know the characters and dig into the childhood of two friends from an all-girl school. Some scenes are reminiscent of Suicide Club (2001) and Love Exposure (2008) yet darker and deliberate. On the other side, we are introduced to three young men filmmakers and finally, properly to Joe Murata after 20 minutes. Joe is both charming and alarming. An important scene from the shared childhood happens just before the 40 minutes mark.
Chapter 2 (from 52 to 60 mins) is where the filming of Joe Murata's life begins for the film festival contest the students want to enter and is also where this film starts to take a new beginning by finally exposing Murata's penchant and proclivities.
Chapter 3 (from 60-70 mins) is perhaps the best chapter as it confirms the power and powerlessness at play and will set the tone for the rest of the movie.
Chapter 4 (from 70-127 mins) is a descent into depravity, absurdity, pity, envy, sadness and self-delusion with events after events of evocative imagery and daring directing.
Finale (from 127-148 mins) still has plenty of surprises and worthy twists. The story will reveal more from all the chapters and the extent of the well-crafted piece will come to life.
The second half and ending are positively well-worth to longish running time.
Still, if you have not seen a Sono film with sex, violence and gore or are opposed to these ideas to be depicted in your living room, skip this Netflix Original and find something tamer.
Thank you, Mr. Sono for staying true to your vision with this one.
Now let's see what will come out of his first English-language film Prisoners of the Ghostland (2020), already in post-production, and how he uses sexy and talented Sofia Boutella to tell a tale he didn't write for once.
Guilty of Romance (2011)
