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★ 6.819771h 58m

La Fièvre du samedi soir

DrameMusique

Inquiet quant à son avenir après le lycée, un américain de 19 ans originaire de Brooklyn tente d'échapper à la dure réalité de sa vie de famille en dominant le dance-floor de la discothèque locale.

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DrameMusique

Année

1977

Durée

1h 58m

IMDb

6.8

Playback

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Release1977

Runtime1h 58m

IMDb★ 6.8

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Casting

John Badham

Director

John Travolta

Tony Manero

Karen Lynn Gorney

Stephanie

Barry Miller

Bobby C.

Joseph Cali

Joey

Paul Pape

Double J.

Donna Pescow

Annette

BO

Bruce Ornstein

Gus

Julie Bovasso

Flo

Martin Shakar

Frank Jr.

Sam Coppola

Dan Fusco

Nina Hansen

Grandmother

LP

Lisa Peluso

Linda

Denny Dillon

Doreen

Bert Michaels

Pete

Robert Costanzo

Paint Store Customer

Robert Weil

Becker

SB

Shelly Batt

Girl in Disco

Fran Drescher

Connie

Nik Cohn

Writer

NW

Norman Wexler

Writer

Bande-annonce

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Commentaires

10 commentaires

HarlowAug 28, 2024

This turkey was undercooked and served up wet. A mouthy, stupid punk in New York City gets the hots for some equally empty headed girl and spends the entire film chasing her. They kiss, they argue, she pushes him away, they wind up dancing. What a loser, really bad, movie. I must say I liked the music, but the story was lame.

kela junior 10Aug 28, 2024

TV actor John Travolta shot to fame and received an Oscar nomination for his acting (and dancing) in this otherwise depressing coming-of-age story. Brooklyn kid, stifled at home and restless at work, is idolized at night when he takes over the dance-floor at the local discotheque. "Misunderstood teens" theme gets a real work-out here, with director John Badham and screenwriter Norman Wexler bending over backwards to make these trash-talking, uneducated, sex-obsessed goof-offs engaging and colorful. Wexler, who has his youthful subjects putting down everything worthwhile, seems to think he's actually saying something new and fresh (with Karen Lynn Gorney as the ambitious girl who is ultimately condescended to--she's made to look like a cynical sell-out). The disco music (mostly by the Bee Gees) is kinetic and alive, and was instrumental in making the film a box-office success. Travolta's solo dance number is also incredible, transcending the script and the surrounding phoniness. Followed by a 1983 sequel, "Staying Alive". ** from ****

DeityAug 28, 2024

Who doesn't remember that song?¿? ah ah ah stayin' alive stayin' alive. Yeah! this movie was a classic!.If we are here to compare it with such movies as The Godfather,Apocalypse Now or Gone with the wind,of course most of the people or cinema critics will think this movie as a joke.But it isn't.Saturday Night Fever was considered in 1977 for liberal or funky people an icon movie such as Rebel Without A Cause was for young people in the 1950's.Today it can even be considered a cult movie.Of course that's only my opinion,but i can tell u i'm also a fan of The Godfather.John Badham made a great job directing this movie.He didn't made only a serious discomusic movie about,but also a movie where problems of young people were having on those days.John Travolta made the lead character of one of those young guys.With his ups and downs during the whole movie Travolta expresses a guy who have urges on being "someone" in this world,and yeah,he did a great job.So good that he was even nominated that year for Best Lead Actor.Need to say more...

RahulshahofficialAug 28, 2024

Saturday Night Fever is thoughtful, engaging, and sometimes brilliant. While some might call it one of the greatest films ever, I must disagree. But along the lines of a groundbreaker, yes it is. The film does for disco what Suburbia did for punk. And the film gives John Travolta, the cool Italian guy from Engelwood, NJ a good break. He plays a paint guy who at nights (and sometimes days) has a love for dancing, which he is absolutely excellent at (those dance scenes are quite memorable). Not always on the money, but when it is, it delivers the goods. Bee Gees provide songs here that everybody likes (I would have to assume from Wayne Campbell's statement in Wayne's World). A-

Yaseen Nasr | ياسينAug 28, 2024

While the movie is more apt to be recalled for its impact on American pop culture, few who watch the movie will ever see beyond the admittedly fantastic dance sequences. As a result, many people might never recognize Saturday Night Fever as perhaps one of the best movies ever made about class struggles among white ethnics. While his quick study under Denny Terrio for those dance sequences showed a great deal of determination, Travolta's Tony Manero shines in so many other way. The looks of embarrassment and exasperation that his character expresses when confronted with the possibility of working in a Bay Ridge paint store all of his life, or the prejudice and regional chauvinism of his friends, or the behavior of his friends at White Castle or his initial inability to express himself to Stephanie in any way that might impress her, all of these and more contribute to a fully realized character. While Tony's friends idolize him, the movie never really does, but it does allow empathy for his plight, because even Tony realizes that he is virtually trapped by the current conditions of his existence. While much might be made of the homophobia, racism, and misogyny of the protagonist and his friends, these things are never excused and the movie goes to some lengths to express Tony's own recognition that these are shortcomings in not only his character, but those borne of a provincial mentality which he desperately longs to escape. Forget those who call this a musical. While the music is an intricate part of the film and setting, Travolta's performance is what sets this film apart.

AlphaMay 29, 2023

simsyebMay 29, 2023

source: Saturday Night Fever

Mme CeesayNov 18, 2022

nebiyatNov 16, 2022

Saturday Night Fever

Mayan El SayedNov 16, 2022

This is a really unique film. Because it comes out of the disco era (which seems like a hundred years ago) some don't take it seriously. While I hated most of the music, I did like the Bee Gees and was intrigued by the knock down performance of John Trovolta. He is a man of arrogance and assuredness who dominates a subculture. A paint store worker by day, he lives for dancing, and he's darn good at it. He and his lackeys live a life of pain and violence. Women are at Tony's feet and he can do what he wants. What it is really about is a psyche that is so fragile. Those that admire Trovolta's character don't have the same ability to stand alone and some, one in particular, is on the brink. This is a slice of time that has past, but the quality of the film is excellent and will survive.