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★ 8.119961h 38m

فارجو

جريمةدراماإثارة

تدور الأحداث في مدينة (فارجو) بـ(مينيسوتا)؛ الأكثر برودة في الغرب الأوسط الأمريكي، حيث يستأجر بائع السيارات (جيري لونديجارد) رجليْن لكي يقوما باختطاف زوجته مقابل فدية قيمتها مليون دولار يدفعها حماه الثري، لكن الخطة التي أحكمها لونديجارد تتعقد، وينتج عنها سلسلة من جرائم القتل البشعة.

Title overview

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جريمةدراماإثارة

السنة

1996

المدة

1h 38m

IMDb

8.1

Playback

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Release1996

Runtime1h 38m

IMDb★ 8.1

شاهد الآن

طاقم العمل

William H. Macy

Jerry Lundegaard

Frances McDormand

Marge Gunderson

Steve Buscemi

Carl Showalter

Peter Stormare

Gaear Grimsrud

Kristin Rudrüd

Jean Lundegaard

Harve Presnell

Wade Gustafson

Tony Denman

Scotty Lundegaard

Gary Houston

Irate Customer

Sally Wingert

Irate Customer's Wife

Kurt Schweickhardt

Car Salesman

Larissa Kokernot

Hooker #1

Melissa Peterman

Hooker #2

Steve Reevis

Shep Proudfoot

Warren Keith

Reilly Diefenbach

SE

Steve Edelman

Morning Show Host

SA

Sharon Anderson

Morning Show Hostess

Larry Brandenburg

Stan Grossman

James Gaulke

State Trooper

الإعلان الترويجي

اختيارات مميزة

هل تريد المزيد من الترفيه؟ استكشف منصة الألعاب المقترحة ووجهة الدراما القصيرة التي نوصي بها.

ألعاب فورية

Gamixo

العب ألعاب المتصفح الخفيفة مثل الألغاز والورق والرياضة والتحديات السريعة خلال ثوانٍ.

دراما قصيرة

VSKIT Drama

شاهد المسلسلات القصيرة الرائجة وقصص الرومانسية والدراما الجديدة مع تحديثات يومية سريعة.

التعليقات

10 تعليق

XandykamelMar 13, 2026

Mamello Mimi MonethiJun 18, 2025

user1017981037704Mar 23, 2025

حسام الرسامMar 23, 2025

Opara FavourMar 23, 2025

Millor_GhMar 23, 2025

DMON 👑Mar 23, 2025

प्रिया राणाMar 23, 2025

user9292980652549Aug 12, 2024

Nobody seems to know that Fargo is first and foremost a beautiful and very simple love story about two ordinary rural small town American people and secondly a superbly acted crime murder mayhem movie, probably the best that has ever been filmed. Every character is genuine, believable, and Home, not Hollywood, spun. The suspense rolls in and out like a San Francisco fog. The side shows that are built in are amazing (sheriff's conversation at a bar with old acquaintance - stamp conversations - breakfast makings). The whole film is an American Shakesphere. I actually know frequent moviegoers who have not seen Fargo (and Sling Blade and Shine). I feel a special sorrow for them. Back to Fargo, every time I watch it I don't want it to ever end. I even sometimes find myself wishfully thinking I could move up there, it's a Lake Wobegone, and then the movie would never end. Fargo is as close to capturing and portraying real life as a director and bunch of actors can get. I wish IMDb had a just one time eleven so I could crown it emperor above all.

KimChiuAug 11, 2024

I can only classify this film as a missed opportunity. While it did have a good storyline, worthy of a film noir, and some very good performances, especially by William H. Macy (you can almost see him crumbling under the weight of not just his crimes, but his cover-ups as well), it is tainted by the Coen brothers' directorial style. What made it intolerable for me was the amount of "quirkiness" that was injected into every single character, scene, and situation. Taken alone, each little quirk is not a big deal, but after so many of them, one after another, it just gets too much to stomach. Some examples... The title: The movie takes place mostly in Minneapolis (which isn't quirky enough -- that's where the Mary Tyler Moore Show took place, after all), and Brainerd (and nobody would go see a movie called "Brainerd"). About 5 minutes of screen time were set in Fargo, and Fargo has a quirky-enough sound. "True" story: Just because a story is true, does that make it a better story? There is both good and bad fiction and non-fiction. So, what is gained by lying about whether a story is true or not? Quirkiness! See, if you believe this story is true, then all this quirkiness must be true too! Names: Character names were given as Grimsrud, Lundegaard, Showalter and Gunderson. Apparently, Scandinavian-sounding names (especially with a double-a) are much quirkier than Pryce, Lopez, Rossi and Sheppard. The weather: The snow and the cold serve no purpose but to make the characters put on parkas and snow boots, which make them look quirky. For instance, when the policeman was talking with the man shoveling his driveway, and had to put his hood up so far you couldn't see his face. Quirky! However, anyone who lives in a cold climate knows that when the sky is that grey and the snow is as wet as the stuff he was shoveling, it isn't all that cold... Accents: Whether or not people actually talk "like that", what's the point of everyone talking like some country bumpkin, even the ones in the fairly large city of Minneapolis? Accents: quirky. No accents: not quirky. Pregnancy: Apart from making the lead character wobble when she walked, and to give her a convenient excuse to throw up every once in a while, what exactly was the point of making the police chief pregnant? Ah yes, another quirk. The old friend: A cop meeting an old high school flame at a bar. Sounds kinda dull, right? Well, let's quirk it up a bit. Make the cop a woman -- no, wait: a pregnant woman. Make the guy Oriental. Make it totally unnecessary to the plot. Now we're talkin' quirky! By the time we get to the end, we're almost surprised that Macy's character sold plain old GM cars instead of Austin Minis or VW Beetles. The whole thing feels like the directors had no confidence in the subject matter, so they slathered on layer after layer of quirks in the hope the audience wouldn't notice. In the end, it just becomes an exercise in frustration, as a movie that had everything going for it just turns you off after one wink and a poke in the ribs too many.