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★ 5.819761h 30m

Dynamite Girls

ActionComédieCrime

Évadée de prison, Candy entre dans une banque du Texas, et menace de tout faire sauter avec un bâton de dynamite. La réceptionniste, Ellie-Jo, qui vient de se faire virer par son patron, l'aide à réussir son holdup.

Title overview

Core release details, quality markers, and stream status stay together here instead of floating below the fold.

ActionComédieCrime

Année

1976

Durée

1h 30m

IMDb

5.8

Playback

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Release1976

Runtime1h 30m

IMDb★ 5.8

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Casting

Michael Pressman

Director

Claudia Jennings

Candy Morgan

Tara Strohmeier

Pam Morgan

Jocelyn Jones

Ellie-Jo Turner

Miles Watkins

Boyfriend

Nancy Bleier

Carol

BK

Buddy Kling

Mr. Sherman

Oliver Clark

Officer Andy

Tom Rosqui

Jason Morgan

ES

Ed Steef

Todd

DS

Danny Sullivan

Young Texan

Bart Braverman

Freddie

PB

Peggy Brenner

Bank Teller

Jim Boles

Mr. Ralston

Christopher Pennock

Jake

Priscilla Pointer

Miss Harris

JL

Jock Livingston

Mr. Scott

GK

Gary Kaskel

Man in Crowd #1

JH

Jay Hamburger

Man in Crowd #2

Peter Macgregor-Scott

Writer

Mark Bruce Rosin

Writer

Bande-annonce

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Commentaires

10 commentaires

Nancy MbaniMay 29, 2023

source: The Great Texas Dynamite Chase

GoodGoodadoNov 18, 2022

Rø Ýâ LtÿNov 16, 2022

The Great Texas Dynamite Chase

SANov 16, 2022

...HAD to have been inspired by this. It's a generally amusing sex comedy actioner., kind of in a female Smokey and the Bandit vein. The sex is softcore * like on the Playboy channel, appropriate for leading lady Claudia Jennings, a 4 time Playmate. All of those involved are attractive and seem motivated, so the sex sequences are high quality. Unfortunately, one of the main, happy-go-lucky characters suffers an ugly, violent death which breaks the mood and seems out of place, since that type of exploitation isn't what this flick is otherwise about. Apart from that, I find no fault, just a fluffy, sexy little entertainment.

Dance God 🦅🇬🇭Nov 16, 2022

Everything was looking good until the appearance of the little nobody johnny crawford who was the son of lucas cain on the rifleman ...after that i just shut it off even naked women can't make me endure that pitiful person

Døna2001Nov 16, 2022

I found Claudia Jennings and Joselyn Jones to be real, human and very sexy as outlaws in this one. Despite their difficulties with people, ( and men in general) they smile, are happy, and get good advice how to rob banks with dynamite. This one is in the mold of Thelma and Louise, but does not contain the male bashing, the female copy-catting, and overall depressing theme that Thelma and Louise did. This one did not say, that men are all evil, (except a super sensitive police chief), and women copy men's evil so we get evil all around. This one say's when people are put in bad situations they find a way to cope. It is more of a tribute to the human spirit than Thelma and Louise. I can not say enough about, the affection I had for the Claudia Jenning character. Back when I saw this, I wished I could meet her. However, I was always into the bad girl, back then.

TigopoundzNov 16, 2022

"The Great Texas Dynamite Chase" has built something of a cult over the more than thirty-five years since its theatrical release, for reasons I'm not completely sure of. Yes, the movie does boast a performance by cult actress Claudia Jennings. Yes, there is quite a bit of nudity and sex scenes. And the female empowerment theme pre-dates movies like "Thelma & Louise". Still, I found it hard to warm up to this movie. The reasons the female pair in the movie rob banks comes across as more selfish and less desperate than usual. The movie doesn't really explore the characters of both the women as well. And the women do some other unlikable actions such as kill policemen who are just trying to enforce the law. I would really only recommend this movie to people who are into B movies and want to see a movie that's had a lot of influence over the years, though even they will probably be somewhat disappointed.

Ngwana modimo🌙🐄Nov 16, 2022

This is a classic 1970's sexploitation flick. Two chicks (sorry ladies, but it IS exploitation) rob banks with dynamite. That premise alone sustained the film. Putting the late great Claudia Jennings (Deathsport, Gator Bait) in the lead was a stroke (hehheh) of genius. She and her cohort basically drive around in shorts and seduce the local men. Basically, they act like male stereotypes. Anyone renting or watching this probably did so because the title was a grabber. And because of said title, you HAD to know you weren't getting a multiple Oscar nominee. Another pizza and beer flick for men's movie night.

KhaddijaNov 16, 2022

This 1976 female bank robbers exploitation flick is extremely upbeat, with catchy tunes and wide open Texas vistas. Claudia Jennings is sex on wheels as the leader of a trio of bank robbers. Her partner in crime is Jocelyn Jones, and Johnny Crawford plays a "professional hostage". He also gets to share the "bridal suite" with Jennings and Jones. Not bad work for a marginal singer/television actor. It's also good to be the bellhop who delivers champagne to Jennings in the soaking tub. A trip to a fancy restaurant with a * dancer (Alice Friedland) is memorable, and the isolated cabin shootout offers plenty of REALLY RED blood. The movie delivers, with ample bank robberies, ample explosions, and ample nudity. One final thought. You rarely see a Rolls Royce used as a getaway car. - MERK

user9088488389536Nov 16, 2022

This is an interesting example of a subgenre of seventies sexploitation movies, something one might call feminist jiggle. Claudia Jennings, queen of the B-Movies plays a woman fed up with the system who in a female bonding moment goes on a crime spree with an equally disatisfied bank teller. The movie has plenty of Claudia taking her clothes off and some action too. This is hardly a message movie and has all the flaws of the quickies churned out at the time, but it's entertaining nevertheless in a charming way that the virtual remake, Thelma and Louise, didn't have. The latter was far too self conscious in its gender pieties.