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★ 5.219931h 40m

Quand l'esprit vient aux femmes

ComédieRomance

Un homme d'affaires arrive à Washington avec sa petite amie, une ancienne showgirl de Vegas, et après quelques embarras, il engage un journaliste comme tuteur pour l'instrument. Elle s'avère être intelligente,

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ComédieRomance

Année

1993

Durée

1h 40m

IMDb

5.2

Playback

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Release1993

Runtime1h 40m

IMDb★ 5.2

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Casting

Luis Mandoki

Director

Melanie Griffith

Billie Dawn

JG

John Goodman

Harry Brock

Don Johnson

Paul Verrall

Edward Herrmann

Ed Devery

Max Perlich

JJ

Michael Ensign

Phillipe

Ben Bradlee

Alex Duffee, Sect. of the Navy

Sally Quinn

Beatrice Duffee

William Frankfather

Sen. Kelley

Fred Thompson

Sen. Hedges

Celeste Yarnall

Mrs. Hedges

Nora Dunn

Cynthia Schreiber, NPR Talk Show Host

Meg Wittner

Mrs. Kelley

William Forward

Sen. Duker

Mary Gordon Murray

Bindy Duker

Ted Raimi

Cynthia's Assistant

Rondi Reed

Victoria Penny

Matthew Faison

Congressman Hulse

Garson Kanin

Writer

Douglas McGrath

Writer

Bande-annonce

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Commentaires

10 commentaires

FayaMay 29, 2023

source: Born Yesterday

MARWAN MAYOURNov 18, 2022

Deeny LßNov 16, 2022

Born Yesterday

Saul SallahNov 16, 2022

It is the lead question. and this version did not a decent answer. because, against the effort of actors, the version from 1950 wins at each chapter. and the cause is not exactly the comparation between the two versions. but something who reflects two different manners to understand the subject. at first sigh, if you ignore the original version , the present film works . the motif - John Goodman. for a form of freedom . in rest, Melanie Griffith seems be the hostage of the portrait of Billie by Judy Holiday and Don Johnson gives a pale sketch of the work of William Holden. and nothing else.

ArwaNov 16, 2022

Since half the audience doesn't realize that this movie was a remake, let me be the first to announce that it is. Melanie Griffith once again picks a decent role for her to portray. She is not only breath taking like always, she does the role justice and does it well. John Goodman, who made his career as the lovable /devoted husband on the hit series Rosanne, has been known to be funny as well as lovable. Here, Goodman takes a chance by playing a mean / greedy political businessman. He is not only scary at times, but amazing. Since then, Goodman has gone on to do a series of dramatic roles. Born Yesterday is one of his first well done dramatic performances. It was also nice to see Don Johnson and Melanis Griffith in another movie together. Even though they are no longer an item, they have remained friends and kept a good relationship on screen. This is something hard to find in Hollywood.

Dame gnahoreNov 16, 2022

Despite the bad reviews this movie received, I didn't think it was that bad. Maybe it's just because it's a remake and it's a known fact that people just don't like remakes. I don't remember ever having encountered a remake that people liked more than the original. And nostalgia for the originals plays a huge part in this, trust me. But I don't think they changed too much of the script, and it's the script which I really liked anyway. While for the other aspects, well, I guess I have to admit that most of the acting wasn't particularly good, the only character I really felt was played with sparkle was Melanie Griffith as Billie. Anyway, it is worth a watch especially if you haven't seen the original version (same title, 1950) in which case you might be kinder on your comments. If you loved the original, don't like remakes, then be cautious!

عثمان مختارلبازNov 16, 2022

Judy Holliday won a well-deserved Oscar in 1950 for "Born Yesterday," which was directed by George Cukor. The cast also included Broderick Crawford (fresh from his Oscar-Triumph; All The King's Men) and William Holden. One of the great political satires of all time, "Born Yesterday" still remains a classic in every sense of the word. Then comes this.....a remake with Melanie Griffith in the title role. The only thing I can say is that they're (the producers) are lucky they can't be charged with capitol punishment! This film is a total disaster....A FLOP!

Maps MaponyaneNov 16, 2022

*Born SPOILERS* Billie (Melanie Griffiths) is the epitome of the 'dumb blonde'; she is blonde and, well, dumb as a rock. Her boyfriend (John Goodman) pays Paul (Don Johnson), a geeky, glasses-wearing journalist, to give her a little culture; what Paul does is making Billie conscious of the life she's living, of what she really wants and of who. And during the lessons, there seems to be an alchemy between him and Billie that's hard to deny... Having never seen the original movie with Judy Holliday, I can say that this remake is a nice comedy movie, and a good way to kill time. The performances are run-of-the-mill (even if it was a refreshing change to see Don Johnson as a quiet guy, after a lot of his roles, like 'Miami Vice', 'Nash Bridges' and others), but we're not talking Academy Awards material here... Born Yesterday (1993): 7/10.

Sarah.familyNov 16, 2022

this is sort of OK as an afternoon TV movie but stands no comparison against the Oscar nominated and winning original. The Cukor version has class written all over it with stupendous performances from Broderick Crawford, Judy Holiday and William Holden, great comic timing and real pace. This is just ambling along, making the motions, insipid in comparison, the famous gin rummy scene is a bit embarrassing really. John Goodman can't make his mind up whether he wants to be a bully or sympathetic, his pest controller in Anachrophobia was a far better comic performance I think. Don Johnson is so low key he seems to be sleepwalking through the role. Melenie Griffith was far better in Working Girl with an all round superior character transformation. So maybe the script and especially direction have to take the blame to a greater degree. Cheap off-cut compared to prime rump steak.

EdenNov 16, 2022

Putrid remake of the classic play and film about a scrap metal tycoon (a non stop shouting Goodman) turned real estate mogul who pays a Washington newsman (Johnson) to educate his feisty girlfriend (wretched Griffith). This film proves that some treasures should be kept buried and left alone.